In a world too often stitched in straight lines, the Product Design Class of 2024 chose curves, questions, and glorious contradictions. From their studio rose not merely objects, but offerings. Each one a bloom of invention, unruly and alive.
This class did not design just for markets – they designed for meaning. For joy. For power.
Boats that float not just on water but on dreams of autonomy, stemware that holds not only wine but ceremony and subversion. Sneakers wink with irony, questioning their own place in the pantheon of hype. Garments declare allegiance to no trend but to the strength of women, with armour and celebration stitched into every seam.
A chair, formed from pig intestines and patience, dares us to consider the boundaries of beauty. A table makes not just a place to gather, but a concrete statement in every sense. A prosthetic, worn like jewellery, reframes the body not as something to fix but as something to adorn.

This book is not a portfolio. It is a supermarket aisle of provocations. A love letter to making. A catalogue of rebellion, wrapped in silk, bone, and brilliance.

The Class of 2024 did not simply graduate.
They left a mark—elegant, defiant, and entirely their own.